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Photoshoot with beautiful Brisbane model Nita – Tanitar Tansacha.
Sony Alpha cameras (and NEX as well) have two very nice features that make manual focusing a pretty effortless exercise. The first one is focus peeking, where the areas in focus are highlighted in a selected colour, and the other one is MF assist.
The way MF assist works is that when the camera is in MF mode, the preview screen on the LCD display or EVF is magnified, making it very easy to see when the subject is in focus. Once the MF assist is enabled, all you need to do is to turn the manual focus ring on your lens and the magnification kicks in.
However, if you are using third party lenses with the lens adapter in manual focus mode, the screen magnification doesn’t work. You can turn the focusing ring all day long, you will only have the benefit of focus peeking but not the MF assist.
Sony SEL1018 F/4 10-18mm Wide-Angle Zoom Lens was made for the E-mount APS-C range of cameras, e.g. NEX-6, Alpha 6000 (A6000) etc. Normally, using this type of a lens on the full frame cameras, such as A7, would cause a very heavy vignetting where the image, unless seriously cropped, would be pretty much useless.
Here is an example of using Sony SEL35F18 35mm f/1.8 Prime Fixed Lens on the full frame camera.
The E-mount APS-C lenses work fine with the full frame E-mount cameras when the camera runs in the crop-mode, but at cost of a reduced resolution.
However, the Sony SEL1018 f/4 full frame sensor coverage is surprisingly good, with the vignetting being a real issue only at the ends of the range. When using the lens between 12 – 16mm, the vignetting can be very easily addressed in post processing.
After admiring my Sony NEX-6 and its replacement Sony A6000 for some time, I have finally given in and bought the Sony A7 II last week. I didn’t have much of a chance to use the camera during the week but this weekend I gave it a bit of a run for its money.
There are a few things that I’m really impressed and some others that I’m somewhat disappointed.
The image quality is amazing, the IS (OSS) is doing a brilliant job, the camera feels nicely in hands and the controls layout is pretty good. Having said that, the front and rear dials are a bit out of place, or rather awkward to reach when shooting, but I guess it may be a matter of getting used to twisting my hands a bit. The exposure compensation dial is also something I didn’t quite like, but I was able to program the rear control wheel to do that task for me. The battery life time is even worse than on A6000, much worse in fact. But it has its reasons.
Good news is that I was able to use my Yongnuo remote triggers and flashes with the A7 II and that all my E-mount (APS-C) lenses can be used as well, with some compromises, though. I’ll write about these topics shortly.
For now, here is one portrait I took today. Wait until I tell you what lens I used, you’ll be impressed…
This article was originally written in 2006, but the solution below still (in 2015) applies to Mac computers with optical drive.
Earlier this evening I inserted a blank DVD into my MacBook Pro wanting to burn some files. However, OS X never recognised the disc, nothing on the desktop, nothing in the Finder, not even in the Disk Utility. I pressed the Eject button, pressed and held F12 for a few seconds, but the disk was stuck.
I had a DVD stuck once before, even though recognised by the system, and I got it out after tilting the computer 45 degrees forward. But this time, whatever I did there was no eject mechanism sound at all, just a very quiet sound of the disk spinning up and slowing down every few seconds.
So I decided to use good old trick of holding down the mouse button while booting the computer up. Rebooted, held the trackpad button down – but nothing. Even more interesting is that the computer wouldn’t start up at all.